| Terms | Definitions |
| Ad Break: | Date ads first appear in print and on television or radio |
Advancing the Event: | Go through contract and riders, to make sure everything is covered. Working out the details. |
| Agent: | Sells the entertainment acts to the promoter or venue. |
| Back Of House: | Everything from the stage on back; equipment, dressing rooms, ... |
Backline: | Band equipment. Rented locally for artists who fly the date without their entire gear. |
Billing: | How an artist is presented in print, television, and radio. Examples are 100% Sole Headline Billing, 85% Special Guest Star billing; 100% Festival Billing |
| Box Office: | Everything that has to do with ticketing |
Breakeven: | Monetary point at which the promoter begins to receive their promoter profit. |
Buyer: | Person responsible for buying the show; promoter. |
Contract Rider: | Document from the band. Make sure you read it cover to cover. |
Front Of House: | From the front of the stage on forward; includes exits in and out. |
Guarantee: | Fees guaranteed to the artist as a minimum amount of compensation for the engagement. |
Gig: | Event, Show |
Green Room: | Bands ask for green room mainly as the production office for the band manager. |
Gross Potential: | The total gross income of a show calculated by taking capacity (number of tickets printed) and multiplying by the ticket price. |
Ground Transportation: | Supply runner and vehicles, make sure band gets from point A to point B. The runner is very important as the band gopher. |
Headliner: | Artist that closes the show and receives preferred billing. |
Hospitality: | Food and beverage you supply the band, usually included in the rider. |
Input List: | Shows wires going into microphones and instruments from stage plot |
Labor: | Crew to set up and tear down |
Lighting Plot: | Same as stage plot, shows where the lights need to be pointed on stage. |
Line Item: | Expense item listed as a show cost. Examples are staffing, rent, advertising, stagehands,... |
Major Market: | A population of over a million. Los Angeles, New York City for example. |
Making the Offer | Giving the artist a firm offer, once you've determined you want the event (usually you want to see the rider first) |
Manager, Artist Manager: | Takes care of artist. General oversight responsibilities for developing and protecting the business of their artist. |
Meet and Greet: | Term used to describe a session where the artist meets fans, radio giveaway winners and local V.I.P.'s |
Net Potential: | Gross Potential adjusted for tax |
On Sale: | Date tickets first go on sale to the general public |
Power Requirements: | You need to know the power requirements of each act playing in your venue and you also need to know how much power your venue can supply. |
Presents: | Designation given to a media outlet that sets them apart from others as the "Presenting" station. Normally a radio station. |
Production: | Anything that has to do with producing the show. |
Production Manager: | Makes sure production sound, monitors, and lights are in place. |
Promoter Profit: | Percentage of profit allowed to the promoter based on show expenses. Industry standard is 15%. |
Riggers: | People who get up in the rigging system to hang points; always in safety harness. |
Road Manager: | Band road manager is responsible for managing the band on the road. |
Routing: | Travel route the band takes around the country on tour |
Scaling: | The number of tickets printed that are different prices according to the layout of the venue. |
Secondary Market: | A population of more than 100,000 to a million. Spokane, WA for example. |
Security: | Provides safe environment and security for the event. |
Settling the show: | After the show you gather reports and receipts and you account for every penny. Make sure you have all your ducks in a row before going to settle the show. |
Shore Power: | Electricity to the band's bus from the venue. |
Snake: | Cable that runs from sound board to stage. |
Sound: | System used to produce the sound for the concert or event. |
Sound Wings: | Extra speakers get put on sound wings in big shows |
Split Point: | The monetary point at which the promoter begins to receive their promoter profit. |
Stacks and Racks: | Sound equipment. Stacks are speakers. Racks are the amplifiers that run them. |
Staffing: | Security, stage hands, catering, ... |
Stage Plot: | Shows where the musicians will be on the stage, where their microphones and monitors are. |
Stage Manager: | Person in charge of directing people involved in backstage activities: gets folks on and off stage, supervises sound and lighting crew. If you have a good stage manager it sets the tone for a successful show. |
Staging: | What size and type of stage you need. |
Support Talent: | Artist that opens or gets second position on a show and lesser billing than the headliner. |
Tertiary Market: | Population of 100,000 or less. Missoula, MT is a tertiary market. |
Ticket Manifest: | How many tickets are sold, where they were sold, which seats or areas were sold, and for how much each was sold. |
Truss: | Rigging the lights hang from. |
Variable: | Show expense that isn't fixed. Normally a percentage based on number of tickets or net potential. For instance, rent may be a variable of 7%. |
Venue: | Synonym for building or theater where the show is being presented. |
Versus Deal: | Financial arrangement between the artist and the promoter whereby an artist receives a guarantee versus a certain percentage of the net revenues after the deduction of show expenses. The word is versus because the artist receives the guarantee or the percentage, whichever is greater. |
Welcomes: | Designation given to a media outlet that sets them apart from others as the "Welcoming" station. As opposed to the "Presenting" Station. |
Walkout: | Amount of money an artist can earn on a show where they are participating in revenues past a certain split point. |